Friday, October 28, 2016

Quick Questions - Jason Sizemore & Lesley Conner of Apex Magazine

Hello and welcome, dear readers, to the inaugural Quick Questions. I have been kicking around this idea for a while and thought this was an excellent opportunity to show just how I'd like to run it. At the moment, doing these on a more regular basis is a goal on my Patreon. Until that funds, though, I would still like to run these every now and again. So join me as I pick the brains of some of the pillars of short SFF.


Stopping in to talk today are Jason Sizemore (Publisher/Editor-in-Chief) and Lesley Conner (Managing Editor) of Apex Magazine. So let's get to introductions first.

Born the son of an unemployed coal miner in a tiny Kentucky Appalachian villa named Big Creek (population 400), Jason Sizemore fought his way out of the hills to the big city of Lexington. He attended Transylvania University (real school with its own vampire) and received a degree in computer science. Since 2004, he has owned and operated Apex Publications. He is the editor of five anthologies, author of Irredeemable and For Exposure: The Life and Times of a Small Press Publisher, a three-time Hugo Award loser, an occasional writer, and usually can be found wandering the halls of hotel conventions seeking friends and free food.

Lesley Conner is a writer/editor, managing editor of Apex Publications and Apex Magazine, and a Girl Scout leader. When she isn’t handling her editorial or Girl Scout leader responsibilities, she’s researching fascinating historical figures, rare demons, and new ways to dispose of bodies, interweaving the three into strange and horrifying tales. Her short fiction can be found in Mountain Dead, Dark Tales of Terror, A Hacked-Up Holiday Massacre, as well as other places. Her first novel The Weight of Chains was published by Sinister Grin Press in September, 2015. Best of Apex Magazine: Volume 1 marks her debut experience in anthology editing. She lives in Maryland with her husband and two daughters, and is currently working on a new novel. To find out all her secrets, you can follow her on Twitter at @LesleyConner.

Thursday, October 27, 2016

Quick Sips - Tor dot com October 2016

October has been a surprisingly full month for Tor dot com, which saw the release of six original stories. It's also a nice mix of science fiction and fantasy and horror, each story reveling in worlds richly detailed and masterfully fleshed out. These are not often easy stories, with recurring themes of death and rebirth, but there is a strong vein of control here as well. Of being able to tell your own story. Of escaping the confines of the expected, the cage of the acceptable. These are stories about pushing boundaries and reclaiming identities, and I'm going to start the reviews…NOW! 

Art by Jasu Hu

Wednesday, October 26, 2016

Quick Sips - Strange Horizons 10/17/2016 & 10/24/2016

Things have mostly settled back down following the Strange Horizons, though they do have a brand new look that is a huge change from their old layout. Also, I accidentally missed the translated story from earlier in the month, so I have rectified that by including it here. There are two stories, then, and two poems, all of which seem to evoke the idea of travel. For some it is a physical thing, the pursuit of a quest, the arch of a journey. For others the travel happens between possibilities and universes, or between times, showing how the distance we travel away from the past can make it vulnerable, can make us vulnerable by extension. These are works that warn and that inspire, and I'm going to get to reviewing them! 

Tuesday, October 25, 2016

Quick Sips - The Sockdolager #7

You know, it probably shouldn't surprise me that the latest issue of The Sockdolager, coming as it does so close to Halloween, is incredibly dark. But I will admit that I was expecting something a bit more lighthearted. What I got was an incredible issue filled with stories told with clever flourishes and an occasional sense of fun, yes…but stories that nonetheless are dark and darker and oh my glob I think I need to spend some time staring at funny cat videos now. Shock aside, though, these are some amazing tales, that lift and sink and inspire and depress. These are stories that fit in with the season, with dying of summer and the creeping nearness of winter. These are stories that I wholeheartedly recommend, though perhaps aren't for the faint of heart. To the reviews! 

Monday, October 24, 2016

Quick Sips - Apex #89

It's October at Apex Magazine, which means that there's extra reasons to revel in some dark SFF. Halloween! And while neither the stories nor the poetry evoke the holiday directly, they do bring the darkness and bring the horror and don't let up. The prose is…well, it's violent and full of monsters and uncomfortable truths. About the people who get overlooked and how the abuses the world creates lead to monsters. Lead to death and tragedy. The poetry looks a bit more at the past and the future, reaching and touching the unknown through shared experiences, through the constellations of what joins us as humans. Today also kicks of Apex's subscription drive, so be sure to give that a look! It's a spooky issue and I'm going to jump right into the reviews! 

Art by Denis Corvus

Saturday, October 22, 2016

Quick Thoughts - New Kids on the Block

Things have happened. I dislike saying that SFF needs a lot of work, but…well, it kind of keeps getting proven to be the case. I'm not close to the situation and I don't really want to write about it. Other people have written some brilliant pieces things and I don't want to step on that. I believe the people who have spoken out. I want to write something else. Something about being new to SFF. Or perhaps about being outside of SFF looking in.

Maybe that will seem like a weird thing to say coming from a person who is best known as a SFF reviewer, as I am. But then, my inroads into SFF as a fandom, as an institution, has been rather strange and rather defined in part by rather abusive people and situations. Yay. And I still don't really feel in SFF. Not really. Maybe on the fringes, but still definitely looking in instead of really a part of it. I'm…what? An up-and-coming writer? A sage reviewer? A new face in SFF? An…introvert? Well, that last one is something I've been called. The earlier ones? Eh...not so much. Which is not to say that I've been wholly unsuccessful as a SFF short fiction writer and reviewer. I've sold stories. I will hopefully continue to sell stories. And some people seem to like my reviews. But my debut in SFF, such as it was, went largely unnoticed and since them my sales have been rather spread out and at publications that are outside what many considered "the core of short SFF." Which…I cannot tell you how grump I am about people only paying attention to certain publications because "those are the only ones that win awards." There is grump, readers. Such grump.

And okay, I'm rambling a bit because this is hard. This is hard. Refocus. Take a breath. Write. When I first wanted to really get into SFF, and short fiction in particular, I knew nothing about it. The mechanics of the business were obscured behind the veneer of names and book deals and my own hopes. I wanted so desperately and so blindly that I was very, very vulnerable. I don't think this is uncommon. Education in the formal sense rarely goes into the business of writing. And especially the business of short SFF. And there are so many places out there having so many different opinions on the "right way" to do things. The fast way. The best way. All I knew starting out was that I wanted. Wanted to write. Wanted to be a part of something. I wanted. And I let that want guide me. Now, it wasn't all bad. I found places to submit stories to. I found communities to join. I thought…this must be how it works. I imagine I was an easy target.

It's really easy to get tricked into believing you're doing something "for your career." You meet someone and they talk about the people they know, the names that you've only seen on the spines of books. You hear how you might help them out, or be a part of something, that you might do something that will earn you some gratitude. That maybe will give you some SFF cred. So you volunteer. You leap up and you give your time and your effort. And if you're uncomfortable with anything you tell yourself, who are you? Who are you next to these names? If the work seems too much you think how can I not? How can I say no when it might mean someone will hate me? Or someone won't want to help me? You get this weird idea that the business is this network of people doing favors for each other and if you do good enough, ingratiate yourself enough, then maybe someone will do a favor for you in return.

This, by the by, is a paralyzing thought. Is a toxic thought. If you buy into it, are you buying into the idea that the only way to get published is to know someone? To call in a favor? If you sell a story, is it because it's good or because you were nice to a person? Because you did something for them? From the outside, I remember thinking this at times. That my stories were just as good as the ones I read. Why not me? It must be that other people are part of some conspiracy to keep me out. The game wasn't fair. I mean, I get why the Puppies feel the way they do. Why people get angry and disillusioned and hateful. I understand it. I don't agree with it at all, but I understand those feelings. And I understand that those feelings, that fear and insecurity and anger, make a person easy to manipulate. I was, and contributed to harm being done. Made decisions that I wasn't comfortable with. Sacrificed my time and my effort in ways did not benefit me and that did not reflect what I believed in. I was bullied and I was used, and I am ashamed of that.

People will do a lot to not feel alone. To feel like maybe they're just a little bit closer to their dream. And other people will take merciless advantage of that. The truth as far as I can find it is you have to find a way to make the work worth the effort. Meaning in some ways it can't be about the goal. The dream. It has to be about the work, the moment. If you want to write stories, then the writing has to be worth it. Not the selling. Not the praise. And that's…hard, because there are times when it seems like everything is pointless and you're on the outside looking in and you'll always be on the outside looking in and I can't guarantee that you won't be. I can't guarantee that I won't be. And some days, when you see the time you spend on writing and the bills that need to be paid and the starved, struggling hope that looks like one of my houseplants that I seem to either water too little or too much…

The work has to be worth it. And if you don't feel it is, then you might have to ask yourself why and what you can change. For me, it wasn't a quick decision or a painless one. It's a question I'm still asking and still answering. I can say that I'm happier now than I was before I made certain decisions. Before I started asking that question. Not because I'm selling more, but because I like the work I do. I believe in it. I own it without hesitation. I am no longer ashamed. Or at least no where near as much as I was.

Being new in SFF is hard. It is also dangerous, especially if you aren't of the most dominant group. So take care of yourself. You are valuable and you are worth so much. You deserve respect and decency. Always. Thanks for reading.

All the best,

Charles Payseur


Thursday, October 20, 2016

Quick Sips - The Book Smugglers October 2016

The Year of the Superhero at The Book Smugglers might be winding down, but that doesn't mean there isn't a few more surprises in store for 2016. Which is why I hesitate to post this review. Not because I didn't love the story (spoiler alert: I did!), but because I worry that there might be a release later in the month to coincide with Halloween and I'm worried by posting this I'll miss it. But these are the risks of a reviewer. What is here is a story that sets up the fourth and final book the Extrahuman Union series. These stories are always gripping and this one brings in action and angst and identity, the main character stuck between being broken and being...something else. It is a profound story that makes me quite excited to read the novels, but until then I should really get to that review!

Art by Kirbi Fagan